Fort Phooey: Wiley in the Studio
William T. Wiley (American, born 1937), Eerie Grotto? Okini, 1982, color block print on rag paper, 20 7/8 x 27 3/8 inches, Montgomery Museum of Fine Arts, Montgomery, Alabama, Association Purchase, 1999.6 August 20 – October 31, 2021 Step inside the studio of the late William T. Wiley. Fort Phooey: Wiley in the Studio recreates the […]
Oliver Lee Jackson: Any Eyes | Closing Weekend February 18-20
When asked about viewers of his work, Oliver Lee Jackson responds, “It’s for anybody’s eyes. Any eyes will do.” This exhibition presents—for “any eyes”—a selection of Jackson’s works in painting, sculpture, and mixed media. While recent retrospectives at the National Gallery of Art and Saint Louis Art Museum have brought renewed critical attention to Jackson’s […]
The Incorrect Museum: Vignettes from the di Rosa Collection
The Incorrect Museum: Vignettes from the di Rosa Collection explores the history of art in Northern California. Drawing on the institution’s extensive collection, the exhibition will present a series of vignettes exploring regional movements ranging from Funk and Nut art to Northern California conceptualism.
Ceramic Interventions: Nicki Green, Sahar Khoury, & Maria Paz
The Incorrect Museum: Vignettes from the di Rosa Collection explores the history of art in Northern California. Drawing on the institution’s extensive collection, the exhibition will present a series of vignettes exploring regional movements ranging from Funk and Nut art to Northern California conceptualism.
Jim Drain: Membrane
Jim Drain’s long-term installation Membrane marks one of two inaugural projects in di Rosa’s Conversation Pieces series and the artist’s first solo commission in Northern California. Drain was a member of Forcefield, a seminal Providence, Rhode Island-based collective active from 1996-2002 that explored the merging of music, performance, film, and installation into one platform.
Davina Semo: Core Reflections
Davina Semo’s exhibition Core Reflections marks one of two inaugural projects in di Rosa’s Conversation Pieces series. The San Francisco-based artist works across two and three dimensions, often utilizing industrial materials that examine tensions between nature, society and the self.
Building a Different Model: Selections from the di Rosa Collection
There is no better image for this dive into di Rosa’s collection than William Allan’s 1992 painting, Update for the Model of Rome. Allan, who spent much time in and around the collection, here imagines not a new reality, per se, but a new way to imagine it.
Viola Frey: Center Stage
A fiercely independent artist up to her passing in 2004, Viola Frey is perhaps most widely known for her larger than life figurative ceramic sculptures. This exhibition offers a long overdue opportunity to trace the artist’s career through a chronological progression of work spanning five decades in a range of media, many of which have never been shown publicly.
Be Not Still: Living in Uncertain Times (Part 2)
The second installment of Be Not Still: Living in Uncertain Times continues the exhibition’s experimental blend of new art commissions and works from the di Rosa collection with four new projects by Bay Area artists.
Be Not Still: Living in Uncertain Times (Part I)
A fiercely independent artist up to her passing in 2004, Viola Frey is perhaps most widely known for her larger than life figurative ceramic sculptures. This exhibition offers a long overdue opportunity to trace the artist’s career through a chronological progression of work spanning five decades in a range of media, many of which have never been shown publicly.