Tag Archives: In Conversation

Incorrect Ceramics Workshop with Kala Stein and Sonoma Ceramics, Sonoma Community Center | October 9

Gallery 2 & di Rosa Studio

Experience the Pot Palace from The Incorrect Museum: Vignettes from the di Rosa Collection through the eyes of ceramicist and Sonoma Community Center Director of Ceramics & Arts Kala Stein! Kala will walk you through the pieces in the Pot Palace vignette to better understand their context in the world of ceramics, explain how they were made and then invite you to join her for an intimate lunchtime demonstration followed by a hands-on studio session. Slab and coil techniques will be presented to encourage an effective, expressionistic approach to building with clay. Each participant can create their own unique art piece inspired by the pieces in Pot Palace or embark on a free-form exploration to see what is possible with clay.

All materials and firing will be provided by collaborative partner Sonoma Community Center (SCC). Completed vessels will be taken to SCC to be fired, and will be available for pick-up at a later date. No experience is necessary.


The Details


Please bring a water bottle and picnic lunch. di Rosa’s studio area is located outdoors in the shade. We advise that you dress in layers and wear sunscreen. Restrooms are available. Space is limited and advance registration is required due to the special nature of this workshop. For questions, please contact visit@dirosaart.org or call (707) 226.5991 x24.

About the Artist

Kala Stein is Director of Ceramics & Arts at Sonoma Community Center. She is an artist and designer noted for innovative mold making and casting techniques. Her studio work explores dynamic systems and practices within the intersection of design, production, and craft. Her community-based work is aimed to empower individuals and support a better world through the creative experience. 

Kala received her MFA in Ceramics from the New York State College of Ceramics at Alfred University and a BFA in Ceramics from SUNY New Paltz. Along with her collaborative cohort, she received a National Endowment for the Arts Grant and exhibits her work internationally. Kala teachesteahes colleges and art centers across the country including Sonoma Community Center, Anderson Ranch Center for the Arts, Diablo Valley College, and Alfred University.  

Artist-led Workshop with Maria Paz and Sonoma Ceramics, Sonoma Community Center | July 24

Gallery 1 & di Rosa Studio

Experience Ceramic Interventions through the eyes of artist Maria Paz! The artist will walk you through her works in the exhibition, Ceramic Interventions: Nicki Green, Sahar Khoury, & Maria Paz, and then invite you to join her for an intimate lunchtime talk and studio session. During this half-day workshop, Paz will take you through the technical process of coil-building a personal vessel and painting it with slip and underglazes, and will talk about the conceptual process of incorporating a personal narrative into your work of art.

Empty heading

All art materials and firing will be provided by collaborative partner Sonoma Community Center (SCC). Completed vessels will be taken to SCC to be fired, and will be available for pick-up at a later date. No experience is necessary.

The Details

Please bring a water bottle and picnic lunch. di Rosa’s studio area is located outdoors in the shade. We advise that you dress in layers and wear sunscreen. Restrooms are available. Space is limited and advance registration is required due to the special nature of this workshop. For questions, please contact visit@dirosaart.org or call (707) 226.5991 x24.

Please refer to “before your visit” for information regarding di Rosa’s COVID health and safety protocols.

How to prepare

To prepare for the workshop, Paz encourages participants to find inspiration from their personal narratives. She asks that you collect and create images that represent your history, your memories, and what you wish to manifest to paint on your vessels. Both red clay and white clay will be available to build the vessel with as well as slips to paint with.

Maria Paz, Siempre te Amare (installation image), 2020. 28.5” H x 16” W x 16” D. Photo: Grace Hendricks.

About the Artist

Maria Paz (b. Quilpue, Chile) is a self- taught sculptor based in Oakland, California. Her ceramic sculptures serve as archival objects, often exploring the bond broken with her home country and how her experience as an immigrant in the United States has shaped a multiplicity of identities within her. Recently, Paz has exhibited work at Yerba Buena Center for the Arts (San Francisco), San Jose Institute of Contemporary Arts (San Jose, CA), Pt. 2 Gallery (Oakland, CA), and Southern Exposure (San Francisco, CA). Paz has held workshops at the Contemporary Jewish Museum (San Francisco, CA) and was a finalist for the 2019-2020 TOSA Studio Award. She was awarded the Bed Stuy Arts Residency in Brooklyn, New York and is currently preparing for a group exhibition focused on community healing at Part 2 Gallery (Oakland, CA).

 

In Conversation: Sahar Khoury & Squeak Carnwath | June 26

Gallery 2

Join Ceramic Interventions artist Sahar Khoury in conversation with di Rosa Collection artist Squeak Carnwath. 

Gallery seating is limited for this talk, please arrive early if you would like a stool. 

About the Artists

Sahar Khoury is an artist based in Oakland, California.  Khoury makes sculptures that integrate abstraction, personal and political symbols, and an intuitive sensitivity to site. Experimenting with juxtapositions of found or fabricated items with more familiar artist materials such as clay and papier-mâché, she continues to develop an idiosyncratic approach, with a primary commitment to material enquiry. She received her BA in Anthropology from UC Santa Cruz in 1996 and her MFA From UC Berkeley in 2013. She was the recipient of The San Francisco Museum of Modern Art 2019 biannual SECA Art Award and the 2018 Triennial Exhibition, Bay Area Now 8 at the Yerba Buena Center for the Arts. Khoury’s work has been exhibited at SFMOMA, YBCA, Oakland Museum of California, The Wattis Institute, UC Berkeley Art Museum, Rebecca Camacho (SF) and CANADA (NY). Khoury’s work has been written about in the New Yorker, Art Review, and Hyperallergic.

Squeak Carnwath Squeak Carnwath draws upon the philosophical and mundane experiences of daily life in her paintings and prints, which can be identified by lush fields of color combined with text, patterns, and identifiable images. She has received numerous awards including the Society for the Encouragement of Contemporary Art (SECA) Award from San Francisco Museum of Modern Art, two Individual Artist Fellowships from the National Endowment for the Arts, a Guggenheim Fellowship, the Award for Individual Artists from the Flintridge Foundation, and the Lee Krasner Lifetime Achievement Award from the Pollock-Krasner Foundation. In 2019, she was inducted into the National Academy of Design and Art. Carnwath is Professor Emerita at the University of California, Berkeley. She lives and works in Oakland, CA.

Sahar Khoury, photo courtesy of the artist
Squeak Carnwath, photo credit: Peg Skorpinski

Tom Marioni: Out of Body Freehand Circle | June 19

Gallery 2

On June 19, a new artwork will be added to The Incorrect Museum: Vignettes from the di Rosa Collection. Join artist Tom Marioni for an art history lesson with jokes as he creates Out of Body Freehand Circle on the wall of the gallery. Those of age can enjoy a cold beer during the event, in the spirit of  Marioni’s famous work The Act of Drinking Beer with Friends is the Highest Form of Art

Please refer to “before your visit” for information regarding di Rosa’s COVID health and safety protocols.

About the Artist

Tom Marioni was born in 1937 in Cincinnati, Ohio, attended the Cincinnati Art Academy, and in 1959 moved to San Francisco, where he still lives. His first sound work, One Second Sculpture, 1969, was celebrated in the 2005 Lyon Biennial as presaging the work of many artists today who use sound and duration as subjects. His first museum show was in 1970 at the Oakland Museum of California. Titled “The Act of Drinking Beer with Friends is the Highest Form of Art,” it was an early example of social art as a sculpture action. Over the years, Marioni was invited to repeat the work in various contexts around the world.

In 1970 Marioni founded the Museum of Conceptual Art (MOCA), which he described at the time as “a large-scale social work of art.” Until the museum closed in 1984, he organized many groundbreaking shows, including “Sound Sculpture As” in 1970. MOCA has entered history as one of the first alternative art spaces. Marioni had one-person shows in several significant venues for early conceptual art, among them the Richard Demarco Gallery in Edinburgh in 1972 and Gallery Foksal in Warsaw in 1975. In 1977 he had a solo show, “The Sound of Flight,” at the de Young Museum in San Francisco.

He has done installation/performance works at the Whitechapel Gallery in London (1972), the Institute of Contemporary Art in London (1973), the Centre Georges Pompidou in Paris (1980), and the Folkwang Museum in Essen, Germany (1982), among other museums. He has produced sound works for radio stations KPFA in Berkeley and WDR in Cologne, Germany. In 1996 he organized The Art Orchestra and the group performed at the Legion of Honor Museum in San Francisco.

Marioni was included in “For Eyes and Ears” (1980) at the Academy of Fine Arts in Berlin, “Live to Air” (1982) at the Tate Gallery in London, and “From Sound to Image” (1985) at the Stuttgart Staatsgalerie in Germany. His work was shown in “Out of Actions: Between Performance and the Object” (1998) at the Museum of Contemporary Art in Los Angeles, and “The Third Mind: American Artists Contemplate Asia,” (2009) at the Guggenheim Museum in New York City.

Drawing is central to Marioni’s art, and in 1999 he had a drawing retrospective, with a catalog, at the Mills College Art Museum in Oakland. In 2006 the Contemporary Art Center in Cincinnati presented a survey of his work and published a catalog. Marioni is the author of Beer, Art and Philosophy, 2003, a memoir, also Writings on Art 1969-1999, and Fabliaux Tom Marioni Fairy Tales. He was editor/designer of VISION magazine published by Crown Point Press, 1975-1981. Issues were titled “California,” “Eastern Europe,” “New York City,” “Word Of Mouth,” (phonograph records) and “Artist’s Photographs,” and published prints, since 1974.

Tom Marioni received a Guggenheim Fellowship in 1981 and three grants from the National Endowment for the Arts during the 1970s. His work is in the collections of the San Francisco Museum of Modern Art, the Museum of Modern Art in New York, the Stadtische Kunsthalle in Mannheim, Germany, the Pompidou Center in Paris, and other museums. He is represented by Gallery Paule Anglim in San Francisco, the Margarete Roeder Gallery in New York, and the Carl Solway Gallery in Cincinnati.

Tom Marioni, Out of Body Freehand Circle, Courtesy the artist

In Conversation: Nicki Green, Sahar Khoury, & Maria Paz, with Twyla Ruby | May 22

Gallery 1

Join the artists of Ceramic Interventions: Nicki Green, Sahar Khoury, & Maria Paz for an intimate, insightful, and socially-distanced in-person conversation with exhibition curator Twyla Ruby at di Rosa.

Space is limited for this talk, please reserve your tickets in advance to ensure your spot.

Please refer to “before your visit” for information regarding di Rosa’s COVID health and safety protocols.

This program will not be live-streamed or recorded.

In Conversation: The Architecture of Resilience with Stanley Saitowitz, Anne Fougeron, and Craig Steely, moderated by Brandon Jørgensen of Atelier Jørgensen

Gallery 2
$10 GENERAL / Free with di Rosa Days Admission

The fires that swept through our beloved Northern California haven’t been an anomaly; they are a sign of what’s to come. As architects and designers, we feel a responsibility to engage with the tools we have; to see, to build, to consider, and to create new homes for those who have lost so much. How do we design and build in a responsive way in the face of climate change? Napa-based designer and builder Brandon Jørgensen of Atelier Jørgensen set out to answer that question in the wake of the 2017 North Bay Fires.

Come join the conversation about resilient design with Jørgensen and colleagues, as they discuss their journey and process through what the Resilient Design Institute defined as “the intentional design of buildings, landscapes, communities, and regions in response to vulnerabilities to disaster and disruption of normal life.

Participants

Brandon Jørgensen is a native Californian with a design practice based in Napa California. A third-generation Californian, born and raised in the bay area, his family came here in the 30’s migrating from Denmark to work on the Bay Bridge and Golden Gate Bridge. Having served in the US Army’s 10th Mountain Division he went on to study architecture and received his Bachelor and master’s in architecture from the University of California, Berkeley. He has worked with Toyo Ito on the Berkeley Art Museum, Studied with Tadao Ando, and spent several years honing his skills as a young architect at Skidmore, Owings, and Merrill. He started his own studio in 2011 where he and his small team are currently working on projects in Greece, Hawaii, Los Angeles, and all throughout wine country with a focus on residential and hospitality.

Stanley Saitowitz

Stanley Saitowitz was born in Johannesburg, South Africa and received his Bachelor of Architecture at the University of Witwatersrand in 1974 and his Masters in Architecture at the University of California, Berkeley in 1977. He is an Emeritus Professor of Architecture at the University of California, Berkeley. He has taught at numerous schools, including the Elliot Noyes Professor, Harvard University GSD (1991-2), the Bruce Goff Professor, University of Norman, Oklahoma (1993), UCLA, Rice, SCIARC, Cornell, Syracuse, and University of Texas at Austin. He has given more than 200 public lectures in the United States and abroad. His first house was built in 1975, and together with Stanley Saitowitz/Natoma Architects Inc., has completed numerous buildings and projects. These have been residential, commercial and institutional. He has designed houses, housing, master plans, offices, museums, libraries, wineries, synagogues, churches, commercial and residential interiors, memorials, urban landscapes and promenades. Amongst many awards, the Transvaal House was declared a National Monument by the Monuments Council in South Africa in 1997, the New England Holocaust Memorial received the Henry Bacon Medal in 1998, and in 2006 he was a finalist for the Smithsonian Cooper Hewitt National Design Award given by Laura Bush at the White House. Three books have been published on the work, and articles have appeared in many magazines and newspapers. His paintings, drawings and models have been exhibited in numerous galleries and museums.

Anne Fougeron

Since 1985, FOUGERON ARCHITECTURE is a nationally recognized design firm whose work exhibits a strong commitment to clarity of thought, design integrity, and quality of architectural detail.

The firm’s decidedly modernist attitude is the result of founder Anne Fougeron’s vision to create a practice dedicated to finding the perfect alignment between architectural idea and built form. Her work can be defined by three basic tenets:

Architectural space is modulated by the quality and character of natural light.

Innovative use of structure becomes the architectural ornament.

Exploration into the visual and tactile nature of materials enhances how people engage a building.

Ms. Fougeron’s keen interest in crossing disciplinary boundaries has led the firm to develop a collaborative creative process that capitalizes on her relationships with craftsmen and artists who are experts in their fields. Contrary to most traditional practices, the firm does not separate between the design and production parts of the work process; preferring to believe that the process of design and innovation must continue through all phases of design and construction.

Craig Steely

Craig Steely is a California and Hawaii based architect. His buildings have been described as true and unique hybrids of these two environments. They embrace the realities of the environment and our connection/separation to it over the subjugation of it, all the while focusing on developing a singular architecture rooted in its context. Active projects include work on the Big Island of Hawaii and Maui, as well as several along the coast of California—from Sea Ranch to San Francisco to Big Sur.

He received his architecture degree from Cal Poly, San Luis Obispo. He has lectured at the University of Hawaii, the University of California at Berkeley, Cal Poly and at many conferences including the Monterey Design Conference. His work has been awarded recognition by the American Institute of Architects and published widely in books and periodicals. In 2009 he was selected as an “Emerging Talent” by the AIA California Council. His office was chosen the top firm in the 2013 Residential Architect Magazine leadership awards.